Tag Archives: The sort-of Murder of Fiona Galloway

No malice aforethought

3 Jan

I feel like I’ve been insulting Raymond Chandler.

Not deliberately. But given his tough-guy persona, I’m pretty glad he’s no longer alive to hear my insult.

What insult?

I’ve been telling people that when I write the Nascent Payne mysteries (The sort-of Murder of Fiona Galloway, The Man with Two Eyes and the upcoming The No-Good Book), I’m channeling my inner Raymond Chandler.

But I’ve been reading the Kindle version of Chandler’s The Lady in the Lake and I feel put to shame. Here’s a sample from the opening chapter:

I went past him through an arcade of specialty shops into a vast black and gold lobby. The Gillerlain Company was on the seventh floor, in front, behind swinging double plate glass doors bound in platinum. Their reception room had Chinese rugs, dull silver walls, angular but elaborate furniture, sharp shiny bits of abstract sculpture on pedestals and a tall display in a triangular showcase in the corner. On tiers and steps and islands and promontories of shining mirror-glass it seemed to contain every fancy bottle and box that had ever been designed. There were creams and powders and soaps and toilet waters for every season and every occasion. There were perfumes in tall thin bottles that looked as if a breath would blow them over and perfumes in little pastel phials tied with ducky satin bows, like the little girls at a dancing class. The cream of the crop seemed to be something very small and simple in a squat amber bottle. It was in the middle at eye height, had a lot of space to itself, and was labeled Gillerlain Regal, The Champagne of Perfumes. It was definitely the stuff to get. One drop of that in the hollow of your throat and the matched pink pearls started falling on you like summer rain.

A neat little blonde sat off in a far corner at a small PBX, behind a railing and well out of harm’s way. At a flat desk in line with the doors was a tall, lean, dark-haired lovely whose name, according to the tilted embossed plaque on her desk, was Miss Adrienne Fromsett.

She wore a steel gray business suit and under the jacket a dark blue shirt and a man’s tie of lighter shade. The edges of the folded handkerchief in the breast pocket looked sharp enough to slice bread. She wore a linked bracelet and no other jewelry. Her dark hair was parted and fell in loose but not unstudied waves. She had a smooth ivory skin and rather severe eyebrows and large dark eyes that looked as if they might warm up at the right time and in the right place.

And sprinkled throughout the book are gems like this one from later in the same chapter:

The minutes went by on tiptoe, with their fingers to their lips.

Chandler was a master at massaging words into sentences never seen before, so if you like mysteries and good writing, I highly recommend The Lady in the Lake.

On the other hand, I feel sometimes like I’m doing well if I avoid tired old chiches. Like, “tired old chiche.”

Sorry, Mr. Chandler.

Five (or ten) ways to help an author succeed

24 Nov
Karia's Path

Book 2: Only five reviews, and none marked “helpful” … You can help …


If you’ve found an author whose books you like, you probably want to read more books by them. And if you want to read more books by them, you may need to help them succeed. But how? It’s actually quite easy to help, and not that hard to do a little extra …

1. Show your friends. It’s great to tell your friends about an author you’ve found or a book you’ve read. Please keep doing that! But if you really want an author to succeed, you might want to take it a step farther, and show your friends why you like the books or author. You can do that by sharing your books with them. You know how to do that with a paperback. But did you know you can also share most independently published ebooks? That’s because authors like me want you to be able to share our work. We’re hoping to build a bigger audience. So go ahead. Of course, you can also buy the books for your friends. That’s great, and greatly appreciated. Just don’t feel like you have to.

2. Like the author’s Facebook page and/or follow their Twitter feed, and share/like/comment/retweet. Many authors – including me – have a blog and a presence on Facebook, and perhaps a Twitter feed or other social media. You can help us by liking posts, sharing them, commenting, retweeting, etc. Those actions all make the posts more visible. Want to really help by taking it a step farther? Go to their Facebook page or blog, and seek out posts you would want to share. Do it regularly. Probably not every hour. Perhaps not even daily. But once a week or so would help. Here’s the Facebook page for my series, The Day Magic Died.

The sort-of Murder of Fiona Galloway

Just one review so far, and I know three whole people have read it!

3. Review their books. I encourage you to write a helpful review – one that potential readers will find useful. Reviews on Amazon are great, but some people don’t trust them. Goodreads is another great place to post reviews. You probably should not post the same thing in both places, but you can follow the same helpful guidelines. If you really want to help, go the extra mile by reviewing more of their books. Like many authors, I am getting several reviews on the first book of my series, but few on the rest. Have you read them? Then please review them. Here are links so you can review Karia’s Path, The Hall of the Prophetess, The Dwarf’s Legacy, and my first Nascent Payne mystery, The sort-of Murder of Fiona Galloway.

4. “Vote up” helpful reviews. Amazon displays “the most helpful” reviews first. How does Amazon know which are the most helpful? By the number of people who have voted to designate a review helpful or unhelpful. Please take note that Amazon is not asking you if you like a review or if you agree with it. They’re asking if it’s helpful. So I’m not asking you to mark favorable reviews as helpful or unfavorable reviews as unhelpful. Simply look at the reviews for an author’s books, and if one or more of them provide enough information to help you make a good decision on whether to purchase, mark it or them as helpful. Want to do more? Mark reviews you don’t think are helpful as unhelpful. (I should add … please do not abuse this system to “vote up” good reviews and “vote down” bad ones. Or vice-versa, as another author did to me. Too bad this power is not given just to grown-ups.) You can use the links above to see reviews for my books, and find the buttons to mark them helpful or unhelpful.

5. Contact the author. So maybe you just want to say you liked the book. Or you have questions. Perhaps you spotted a typo that needs to be fixed. Authors love to hear from readers. Most authors hear from readers far less than you might think. And most authors are far more open to constructive criticism than you might think, too. That, by the way, is how you can really help. If you spot what you think is a problem in a book or a series, and you really want to help, speak up. Here’s a way to contact me.

5 tips for writing a good review

21 Nov

Want to know how to write a good book review?

I don’t mean a favorable review. That’s easy. Just gush.

I mean a useful review. One that will help other readers decide if a book is worth their time and money. Well, here are five tips – tips I hope you’ll put to good use writing reviews for my books …

  1. What books is it like? One of the most helpful lines in any review goes like this: “If you liked [insert name of popular book here], you’ll like this book.” It gives people something they can easily compare the book to. It’s even better if you can choose two or three books, and perhaps even say why or how the books are similar. Of course, if you didn’t like the book, you can always compare it to this book.
  2. What specifically did you like? (Or not.) Often there is one thing that really stands out to you as a reader. Tell people what that was – without spoilers, of course. And make sure you tell them why it stood out so much, for the good or the bad. If more than one thing stood out, well, you have that much more to say.
  3. What one character was memorable to you? Perhaps it was someone you loved. Maybe it was someone you hated. It could have been someone who made you laugh. Or someone who made you cry. It might be someone you identified with. Or on the bad side, it might have been someone completely flat. Tell potential readers about that person – again, without spoilers – and why that character stood out.
  4. Was there a line you loved (or hated)? Quote a memorable line from the book. It might have been dialog, or description. It could be a chunk of dialog. (Yes, that’s legal. It doesn’t violate copyright to quote from a book in a review of the book. That’s considered “fair use.”) You might need to give some context so it makes sense, but often, if the line is truly memorable (or truly awful), you won’t need to.
  5. What makes this story unique? People don’t want to read the same old story. They’re looking for something new and interesting. What can you tell people about the story that will tell them this is worth their time (or not worth their time), without giving away the story? What captured your interest? What held your interest — or sent you running from the room?

Now, if you’ve read any of my books, would you please write a useful review? Thanks!

The House in the Old WoodKaria's Path 

Watch out for The Man with Two Eyes

20 Nov

the-man-with-two-eyes-kindle-coverThe Man with Two Eyes is the barely awaited sequel to my immensely unpopular science fiction/Western/paranormal/romance/hard-boiled detective humor book, The sort-of Murder of Fiona Galloway. If the demand for this second book is anything like the first, it’s sure to end up as a doorstop.

I’ve completed the first draft of The Man with Two Eyes. While I await feedback from my critical readers on The White-Silver House, I’m working back through to create the second draft. So here, to whet the appetites of the three people who’ve read the first Nascent Payne mystery, is the first chapter of the second one, The Man with Two Eyes …

Chapter One:

Nascent Payne sat at a little table near the back corner. In the dim light cast by the fireplace and the single candle perched on the bright red gingham tablecloth, his knees glinted from beneath his kilt. His sleeveless “highlander” style shirt was open, revealing a shock of jet-black chest hair and a tantalizing hint of his rippling pectoral muscles.

Fiona sighed when his tattooed biceps bulged as lifted a glass of white wine to his manly, muscular lips.

Payne rolled his eyes.

“Fiona,” he said quietly, “knock it off!” He would have added that pectoral muscles don’t ripple, but didn’t want to say that much just now, just here.

He had to glance down to assure himself he was still wearing khaki pants and olive shirt, as always. Then he tried to refocus on the case. It was supremely distracting when the victim of his last murder case, Fiona Galloway, got into his head.

She was dead, sort of. Through some weird set of circumstances on Hillsdale, her consciousness lived on. Payne thought of her as a ghost, but his mechanic, Robin Flynn, insisted it was science. To prove it, he even rigged up a little device that allowed Fiona to go with them when they left Hillsdale.

And then he’d cobbled together a portable version so she could go anywhere with Payne. This did not sound like a good idea to Payne, but Flynn pointed out that it could be useful to have a companion along that no one else could see. So here he was, on a case, and here she was too. With her romance-novel-inspired thoughts leaking into his head.

He took a sip of his water and set the glass down. He scanned the room again, and tried to look like an ordinary guy waiting for a friend, and not like a private investigator waiting for a murderer while a murder victim’s fantasies played out in his head. Whatever that looked like.

Payne would’ve preferred to do this in a place with a little more light, but he knew this was the kind of place he’d find the man he was looking for. Low-ceilinged, dim and a bit dingy. Frequented by men and women desperate for something, anything, to take them away from their dull, numb, hopeless existence, if only for a short time. And popular with the women and men who serviced them. Cheap liquor, cheap company.

These were the type of women his suspect stalked. Though Payne couldn’t figure out why he killed Helena. It didn’t fit what he’d pieced together about the man, or about Helena. Maybe that was why he was so intent on finding him. It sure wasn’t because the Colonel asked him to.

He settled back to wait. He’d find him. Maybe not tonight, maybe not here. But he’d find the killer.

The man with two eyes.

Want to read the first book? Get it here.

Price Drop: Nascent Payne

23 Sep

Nascent Payne Book 1Have you been waiting for a good time to check out the first Nascent Payne mystery, The sort-of Murder of Fiona Galloway?

Been dying to find out how someone can be sort of murdered? (Or maybe even just sort of dying?)

Wanted to see what a Science Fiction/Western/Paranormal/Romance/Hard-Boiled Detective/Humor novella is like?

Now is your best opportunity!

I’ve cut the Kindle price from $3.99 to $2.99, and the paperback list price from $5.99 to $5.49. (And Amazon sells the paperback for even less.) That’s the lowest price ever for any of my books.

Go get it!

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