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Evidence Book 4 is coming soon

21 Apr

Enough with the posts that say, “I’m working on The Dwarf’s Legacy.” It’s time to start showing you some progress, so you can tell it really is close. So here is Chapter One.

“Not so fast,” you say? You read Chapter One at the end of Book 3, The Hall of the Prophetess? Yes, you did. But if you can spot the subtle changes between that and the chapter below, you’ll get an glimpse at why I think The Dwarf’s Legacy is my best-written book yet.

Chapter 1:

The winding defile was so narrow that Karia was forced to place one foot in front of the other, now and then banging her knees, hips, shoulders or elbows against the rocks on either side. And she was skinny. She could hardly imagine how her broad friend, Gerik, and his large horse were going to get through.

She stopped and twisted – she could not actually turn in the cramped space – to rub the forehead of her horse, Tsilinki.

“Easy, girl,” she said. “We’ll be out of this soon.”

She didn’t want to think what might happen if the high-strung mare got nervous in here.

When the passageway opened into a small, bowl-like valley, Karia felt as if she could breathe again. First she pushed back the hood of her light but warm traveling cloak so she could see better. She shook out her long auburn hair, then crunched through the snow a dozen paces to where Akamon stood. That got Tsilinki into the valley, and made room for the others behind her to come in.

Dark clouds swept the sky. Ragged shards of gray hung low, scouring the rocks just over her head and dipping into the valley. The breeze that blew from behind Karia felt heavy and cold. It blustered through her hair, chilling her ears and neck.

The valley was roughly oval, seventy feet from the defile to the other side and forty feet across. Just to Karia’s left, her oh-so-blue eyes caught sight of a rough wooden lean-to that sheltered the entrance to a cavern.

She thought that was where Akamon was looking, and turned to him to make a disparaging comment about his choice of accommodations.

She was surprised to see that he looked frightened. He stood stock-still, his jaw clenched, looking down. She followed his gaze to a set of footprints in the snow. The prints were sharp and well-defined; this told Karia they were recent. They led from where she and Akamon stood across fifty feet of icy, rocky valley floor. Then they climbed rocks that seemed natural, yet formed a sort of stairway, up into gray mist that thinned now and then to reveal only a blank rock wall.

“I thought no one else knew about this place,” Akamon said softly.

Karia, still angry over the way he was treating her, replied, “You should be used to being wrong.”

He looked at her silently for a few seconds. She was trying to read his expression as she heard the others walk up behind her.

“We don’t have time for your childish games, Karia,” he said. He looked past her and said, “Gerik, follow me.” Then he turned back to Karia. Gesturing to Tika and Hikil, he said derisively, “You and your possessions stay here.” She felt her anger building as he turned from her, let go of his horse’s lead and followed the footprints.

When Gerik walked past her, Karia began to follow Akamon.

“Karia, you should stay here,” Gerik said.

She glared at him. “Are you giving me orders now too?” she asked icily.

Before he could reply, Akamon, without slowing, said, “It’s not worth arguing with her, lad. Not right now. She can come if she wants, or stay if she has sense.”

Karia stopped and willed her anger down her right arm toward her hand. Fire! she thought. But her hand stayed as cold as before. I still can’t do magic. What if I’ve lost my power? Oh, golly, it’s only a matter of time before everyone finds that out, and … then what?

By now Akamon was bounding up the uneven steps, with Gerik close behind. She hurried after them.

Akamon reached the top of the steps and waved his hand across the door. There was a pattern to what he was doing, but it was so fast and unexpected that Karia did not catch it. Then a symbol glowed gold, ever so briefly, and she realized Akamon had traced it: a cross, with a diagonal bar connecting the ends of the top and the right arms. The same symbol her mom showed her to cut into rising bread; the symbol on her cloak and haversack. The symbol Gerik said belonged to the dwarf, K’rilik.

Well don’t just stand here gawking, she thought as, a dozen steps above her, Akamon signaled to Gerik. The two of them walked right through the wall together and disappeared from her view.

Karia raced up the intervening icy steps. She somehow made it to the top without slipping, until she tried to stop. Here at the top, the mist had made the ice slick. Her feet slid forward, and she quickly shifted her weight. But it was too much. Her feet now slipped back and she fell toward the rock wall Akamon and Gerik had just gone through. Instinctively she put her hands up. For an instant she assumed the wall was an illusion her hands would pass right through. She thought she would slam face-first into the snow and ice. She was pleasantly surprised to stop, holding herself upright on a very solid – and very cold and damp – rock wall.

She regained her balance, stood back and rubbed her hands together briskly. She reached toward the spot Akamon touched. She traced out the symbol; it glowed gold briefly. Karia stepped forward, wincing, because she could not help but feel like she was walking right into a rock.

Immediately she found herself in a large stone room strewn with furniture, but she did not have time to take it all in. She saw Akamon’s back, and someone beyond him – someone who was just completing a gesture of some kind, sending Gerik flying backward. He struck the wall to her right.

“Enough!” she shouted. She took two quick steps to Gerik and knelt next to him. “Are you OK?”

He seemed stunned, but nodded. She turned toward the men, and was surprised to see that the man facing Akamon was Visili. She was equally surprised that they were just standing there, staring at her.

“Impressive, Tsilinakaya,” Visili said.

She was about to say, “What?” but caught herself. Don’t look confused. Calm down. Figure this out.

“How is this even possible?” Akamon asked her.

She smiled at him. I might be able to tell you if I had any clue what you were talking about, she thought. And it’s about time you’re the one with unanswered questions.

Get The Dwarf’s Legacy (The Day Magic Died, Book 4)

It worked

27 Mar
Detail of beading on the collar of the dress I made

Detail of beading on the collar of the dress I made

My last post begged a question.

If I made a dress to refresh myself so I could get Book 4 rewritten again, how well did that work?
Pretty well, actually.

I’ve gone through the entire manuscript of The Dwarf’s Legacy at least twice. In addition, I’ve looked at particular sections and reworked them. I’ve addressed everything that all five of my critical readers spotted, and spotted a few more things myself. I’d say the writing and editing is 95 percent done at this point.

What’s left?

  • There are three specific “scenes” I think need more work, so I will go back and adjust those.
  • I have given the manuscript to two of my critical readers for another check, so I am sure I’ll hear back from them soon. Another set of eyes always helps.
  • After all of that is taken care of, I want to let the book “rest” for a few days, then come back and read through the entire book. I need to be sure the story flows properly and the characters are consistent. In fact, I may use part of that time to sketch out how I see a few of the key characters developing in this book, and check what I’ve written against that.

I am hoping that will result, by the end of April, in the release of Book 4, The Dwarf’s Legacy. I know, that’s two months later than expected, but the book is a whole lot better than it was in February. I’m trying to make it worth the wait.

Let me put it this way. I spent hours and hours — about 50 in all — hand-beading the dress I made. It would have been a really nice dress even without all that work; that work put it over the top, and made it truly special. That’s what I’m trying to do with The Dwarf’s Legacy.

So I made a dress …

24 Mar

Yes, I made a dress ...You’re still waiting for a book, and I went and made a dress.

Permit me to first clarify, it was for my wife, not me. In case you were wondering. Oh, you weren’t wondering, were you? And now you are. Wonderful. Let’s move on …

I made a dress so you can get a book.

Really.

For about a month and a half, I poured every spare hour into rewriting Book 4, The Dwarf’s Legacy. I completed that at the end of January, and passed it off to my critical readers.

And then my “day job” got hectic. I serve as a writer and editor for New Tribes Mission, and through most of February I was pouring myself into getting out the next issue of our magazine.

Then I heard back from all of my critical readers, and there was a lot of work to do. So I tried to do it. I really did. I wanted to get the fourth book to you in February, and then I was sure I could get it out in March. But nothing was working.

So I started making a dress.

You see, when I just can’t write, when I’ve “spent” all my creative writing energy, I need to recharge it. One thing I’ve found works very well is engaging in some creative endeavor totally unrelated to writing.

Like making an Elizabethan gown for my wife.

I completed the dress earlier this month, so I have now begun attacking Book 4 again with vigor, instead of slogging through it. You deserve my best writing. The series deserves my best writing. And now I’ve put myself in a position to deliver that.

It’s taking longer than I wanted it to, but, hey, I’ve still put out four books between two of George RR Martin’s books. (And that’s about all the comparison I’ll do with other authors, especially with other authors who have sold a whole stinking huge lot more books than I have. Which is actually most authors, come to think of it.)

Getting critical

28 Feb

The Day Magic DiedI’ve now heard back from four of my five critical readers, and I expect to hear from the final one this weekend. So the revisions of Book 4, The Dwarf’s Legacy, will likely happen next week.

What I love about this team of critical readers is how differently they look at things.

Two of them gave me lists of typos and punctuation and grammar issues. In case you were wondering, spell check doesn’t help. I write in Word, and after a certain number of errors, Word just stops trying to spell-check. You reach that point pretty early in a 100,000-word book with a lot of words in made-up languages.

I’m certain that these two lists will mostly coincide, but having two people on the team who think that way means we’re more likely to find all those errors.

Another person is mainly concerned with story issues. She spotted two things in the book that seemed to work out too easily. She also spotted one thing that made no sense – a character suddenly showed up in a scene where it made no sense. That’s because I had the wrong name in the scene. “Where’d he come from?” From a stupid mental lapse. But I have the power to make his disappear. Bwahahahaha! (Sometimes revisions are fun.)

The fourth critical reader tends to look not only at the story, but at broader social issues. Am I reinforcing negative stereotypes, or bad tendencies in culture, or am I challenging them?  She had a field day with The Dwarf’s Legacy, pointing out that one character was quite unjustly maligned, while another was getting away with stuff. And those things fell right in line with how our society, generally speaking, incorrectly treats those kinds of people. That’s not the kind of thing I want to be saying to readers, even subtly. In fact, it might be worse to say things like that subtly. If I said them outright, your defenses would be up. When they’re in the background, they can sneaking into your brains when your guard is down. And that kind of tactic I save for really nefarious messages, like “Buy more books!”

The fifth reader is the kind who is not afraid to let me know what she, as a reader, is thinking at different points. For example, if something irritates her, or if there’s a question she wants answered, she’ll write it right in the manuscript she’s reading. It’s great to have a gauge on what readers are thinking, because that can be tough for a writer to understand.

The good news is that I can see exactly what each of them is talking about, and I’ve already been thinking through how I can address some of these things. I don’t anticipate the revisions taking long, but I do anticipate that they will make the story much better.

Thanks for your patience as I work to ensure that this book is a journey you’ll enjoy.

Making progress

26 Feb

The Day Magic DiedWe’re continuing to make progress on Book 4, The Dwarf’s Legacy.

Today I’ve given my designer all the files and text and information necessary to, in order:

  • Design the cover of The Dwarf’s Legacy
  • Revise the covers of Books 1, 2 and 3 – The House in the Old Wood, Karia’s Path and The Hall of the Prophetess – in order to include the series logo
  • Design the cover for Book 5, The White-Silver House

I should mention that the cover is not all that is changing in Books 1 and 2. I have also changed the font I used for the print book, to the same one I used in Book 3. I was originally using Garamond, which is a very legible and very respected font for books. But italicized text is far more legible in Palatino Linotype, and I have a lot of italicized text. So I made that switch for The Hall of the Prophetess, and now that I am making revisions in The House in the Old Wood and Karia’s Path, I’ll make that change there as well.