Tag Archives: Kindle

Book 4 NOT coming May 12 …

2 May

Wow. I am so sorry to have to tell you this. But here it is:

Book 4, The Dwarf’s Legacy, will not be coming out May 12.

That’s because it’s out … NOW!  It’s available for Kindle, and in paperback.

So get your copy, tell your friends, cajole your family, and buy a copy for your enemies because there are few things worse than having just the fourth book in a series!

Get The Dwarf’s Legacy (The Day Magic Died, Book 4)

New covers? Yes, and more

1 May

You may have noticed new covers for the earlier books in the series starting to appear in the blog’s sidebar and on Amazon. That’s not all that’s new …

The House in the Old WoodThe House in the Old Wood

The House in the Old Wood has been completely proofread again.

I’ve also added mentions of all the other books in the back, which are links in the Kindle edition.

But the biggest change is in the typeface for the paperback. I switched from Garamond to Palatino Linotype. I used Palatino Linotype in Book 3, The Hall of the Prophetess, and found it much more legible. It was especially helpful in the italics. With all of Karia’s thoughts in italics, it was important that they be clear. And Garamond wasn’t cutting it.

Part of the reason Palatino Linotype is more legible is that it is larger. (I don’t really understand how one typeface can be so much larger than another at the same size, but …) And that means the book has more pages now. And that led me to abandon the convention of having all the chapters start on the right-hand page. I’ve taken out all the blank pages within the book.

Karia's Path coverKaria’s Path

Karia’s Path has also been completely proofread again. As with The House in the Old Wood, this resulted in very few changes.

This new version also has the other books listed in the back, and linked in the Kindle version.

And like The House in the Old Wood, the paperback version makes the switch from Garamond to Palatino Linotype, for better legibility, especially in the italics. And I took out all the blank pages caused by trying to start each paragraph on the right page.

The Hall of the Prophetess coverThe Hall of the Prophetess

I’m a little embarassed to admit this, but I apparently rushed a bit too much to try to get The Hall of the Prophetess out last November. Another round of proofreading revealed more typos and issues than the previous two books.

Perhaps that can be excused by the fact that most of the issues had to do with the way one of the characters, Ni’ika, spoke. We found — and corrected — several inconsistencies in her use of pronouns — or lack thereof.

Since this was already in Palatino Linotype, the only other substantive change was adding the listing of the other books in the back.

Speaking of fonts

Since I brought up the subject of the font for the interior, some font junkies may want to know more about the cover fonts.

The back cover text is primarily Palatino Linotype — hey, when you find something good and legible, you stick with it!

And speaking of good and legible, the secondary font all over the cover is DIN, a legible classic that’s made quite a comeback.

The title font is Fairydust by Marcel de Jong. I think it works fairly well in the titles, but it does tend to look a little busy. It seems to work better as a drop-cap, which is how I used it on the back covers, both the originals and the new ones.

 

Book 4 due out May 12

26 Apr
The Dwarf's Legacy

“The Dwarf’s Legacy” is due out May 12.

I anticipate The Dwarf’s Legacy – the fourth of five books in the series The Day Magic Died – will be available in paperback and Kindle format on May 12.

Really!

Let’s start with the cover, since that’s right here on this blog.

I should not have offered you five cover mockups to vote on. My mistake. None received a majority of the votes. The plainest one received the most votes – six – but the two with the series logo, name and number at the top received a total of seven votes. That’s not clear direction. If I had offered you two or three choices, you would have been equipped to provide solid feedback. I apologize.

So I talked with a marketing consultant. I chatted with my designer. I conferred with my wife.

What I wanted to do was get the logo, series name and book number on the cover. I want to at least hint that this is not so much five stories in one series, as one story in five books.

But the primary purpose of the cover is to grab attention and get people to read the title. (The only exception is for a famous author, whose name is the biggest thing on the cover. I’m not there yet. Let’s not dwell on how far away from that I am, OK?)

In the mockups, the number and logo were so large they distracted from the title. So I made them much smaller. I tried putting them above the title, below the title, and below my name. Each time, the design looked unbalanced, and the series bar seemed to distract from the title.

But a funny thing happened as I moved the series bar. I stopped in the middle. And I smiled.

I think this placement – which I have been able to replicate with each of the titles – draws the reader’s attention to the title first and foremost. So I am happy with the cover, and with the new covers for the other books. I hope you like them too.

Now then, what about the insides? The book itself?

Last Sunday I finished correcting all the mistakes found in proofreading. Monday I sent the manuscript to an avid follower of the series who has not been involved in editing until this point.

Friday she sent me a list of about a dozen areas that needed more attention. None were major, but each was enough to “throw” a reader, so it’s good to have those brought to my attention.

First thing this morning, I went through the book and addressed all those issues. Now my wife will proofread those sections again. I anticipate making the final corrections today.

Then what?

1. Format for paperback: I have to copy and paste the book into a template, then adjust it. This should not be very difficult or take long.

2. Format for Kindle: This is a bit more complex. It’s easy to make an ebook. It takes some effort to make a properly formatted ebook. I write in Word, and if I go straight from Word to Kindle … yuck! I have to convert the Word file to HTML, edit the HTML, convert the HTML file to Mobipocket .prc format, then upload that.

3. Checking and proofing: Amazon’s Createspace division has to check and approve the paperback. Amazon’s Kindle division has to check and approve the ebook. And I need to order a paperback proof, go through it, and approve it for sale.

How long will all that take? I anticipate two weeks, and thus, I expect The Dwarf’s Legacy to be available May 12.

Permit me to again apologize for the delay. I have endeavored to make this a book worth your wait.

In the meantime, watch for updates … and a promotion or two!

Want to help with Book 4?

22 Apr

It’s not just writing that has been holding up The Dwarf’s Legacy. I have a new logo for the series The Day Magic Died, and I want to get it on the cover … but how? At the very least, I want to get the series name on the cover.

So I’ve mocked up some options, and I’d love to know what you think …

cover-sample5

Cover A

cover-sample4

Cover B

cover-sample3

Cover C

cover-sample2

Cover D

cover-sample1

Cover E

The romance is not over …

15 Feb

Need a little more romance this weekend? How about an entire chapter? Here, to whet your appetite for the whole book, is the first chapter of my Science Fiction/Western/Paranormal/Romance/Hard-Boiled Detective/Humor novella, The sort-of Murder of Fiona Galloway:

Fiona hungrily eyed Nascent Payne as he strode from Hillsdale Colony’s dusty main street through the swinging doors of the saloon. She wasn’t sure what was rippling more, his kilt or the muscles in his bare arms and legs.

This was definitely one of those days she wished she wasn’t dead.

Ah, well, at least Payne was on the case, and that meant action, intrigue, a fistfight or two, and perhaps even an answer to who killed her and why.

Payne stopped just inside the doors of the saloon, creatively named Saloon. He had the awkward feeling he was half-naked. Puzzled, he looked down. He was wearing what he always wore: khaki shirt and olive cargo pants. He shrugged and tried to focus. He couldn’t afford to be distracted.

Life had always been tough – and cheap – in the outer colonies. The war that nobody won made it worse. Payne smiled wryly and wondered if there ever had been a war that someone truly won.

Lately, worse was going to hell in a handbasket as Earth’s Colonial Marshals Service was phased out so the colonies could have their own Interstellar Marshals Service. In the transition, people were getting away with murder.

Literally.

The only recourse decent folks had were private investigators like Payne. At any rate, right now he was a private investigator. He had been a bounty hunter and a smuggler. Even a soldier, though he thought the term mercenary sold better on his bio. He would tell you it just depended on what was paying best. And that would be a lie.

Payne looked around the saloon and saw, for the most part, dust.

He got the impression that dust was both the theme and the primary decorating element of Saloon, the saloon. Not the white, fine dust that accumulates in those places people miss when they clean their homes. The brown, crunchy stuff that comes in from outside and piles up on every surface when people just don’t clean at all.

Payne looked past the dirty tables and gritty chairs before him to his right, where a grime-fogged mirror pretended to reflect a well-worn bar. Two male patrons who matched the decorating theme perched on a pair of barstools. It seemed odd to Payne that the two men would perch on two barstools, instead of each perching on one, but live and let live, he thought.

Payne walked right up to the barkeep, a very thin man who had so much hair on his head and face that Payne wondered how he stayed right-side-up.

“Manager?” Payne said. The hairy man gestured to the back of the room, where five men hunched over one table.

“Can you be a bit more specific?” Payne asked.

“Red vest,” the barkeep said, the movement of his mouth visible only by the ripple of his beard. He picked up a dirty towel and wiped dust off of – or was it onto? – a shot glass.

Payne spotted a man in a red vest at the table. Sharp dresser, handsome – slick type, Payne thought. From this angle, the woman in the lurid painting behind him seemed to be reaching out for his shoulders. And she didn’t look like the type who’d stop there.

Payne was about to walk toward the table, but paused to look around a moment. Ever since he got to this planet, he’d felt like someone was watching him. Yet nothing looked odd. Making note to stay alert, he went to the table. “You the manager?” Payne asked.

“Yes,” the man said, barely looking up. “And who would you be?” The other men at the table sat back and appeared to be sizing up Payne.

“The name’s Nascent Payne. I’m looking into the murder of Fiona Galloway.”

Now the man looked up, a smile on his face that appeared to be straining to keep from being an all-out laugh. “Your name’s Nascent Payne?” he said.

Payne gave the manager his best “Don’t even say it” look, and said, “Yes, and I’m here about the murder of Fiona Galloway.”

“Nascent Payne,” the man said, “as in …”

Payne cut him off. “I’ve heard them all, and few were amusing the first time. I’m here about the murder of Fiona Galloway.”

“Yes, you said that,” the man said, still clearly amused. Before he could say another word, a small, slight man who had been following Payne, mostly unnoticed, stepped out from behind him and leaned on the table, his face inches from the manager’s.

As the other men at the table tensed, he said, menacingly, “The desert is a highly inhospitable environment for human life. Without an increase in the intake of liquids and electrolytes, and in the long run, vitamins and minerals, survival is unlikely.”

“Robin, enough,” Payne said. He pulled the slight man back, and the men at the table relaxed slightly.

“And you have a sidekick named Robin?” the manager said. The edges of his mouth curled up more.

“Robin Flynn,” Payne said. He was about to say more but Flynn interrupted.

“But at the moment, it seems apropos for you to call me Riboflavin, like the vitamin, to better reflect and reinforce the importance of nutrition in an environment such as this,” Flynn said.

“His name is Robin Flynn and he’s my mechanic and I only put up with this because he’s a really good mechanic,” Payne said. That, and the fact that he brewed coffee that grabbed you by the throat and tossed you out the door while shouting, “Seize the Day!” in your ear. But suddenly Payne was distracted again. He got the distinct impression that not only was someone watching him; they were trying to look up his kilt, which he was still, of course, not wearing. He cleared his throat and pulled Flynn aside.

“Look, and I need you to listen to me because this is really important,” Payne said, lowering his voice. “Just settle back at the bar and try to stay inconspicuous, and watch my back. There’s something strange going on here.”

“I am not certain they serve anything healthy here, but I will do as you ask,” Flynn said, and walked to the bar. Payne knew that Flynn and inconspicuous went together like serial killers and kittens, but at least giving the guy a job to do usually kept him occupied and out of trouble.

He turned back to the table. “Yes, my name really is Nascent Payne, and I’m a private investigator. I understand you employed Fiona Galloway?”

“Yes,” the manager said, cocking his head as if he was suspicious of Payne.

“I’m only interested in finding her killer,” Payne said calmly. “If it’s not connected to whatever else you have going on here, then we won’t have any problems. But if it is, you and I are most definitely going to have problems. Big problems.”

Ag colonies like this one could feed themselves, but these days income was hard to come by. The “stasis-fresh” meat, dairy and produce they exported were too expensive for most people since the war. So lately, places that could grow fruits and vegetables often also grew plants known for their pharmaceutical qualities. Somehow, folks always found money for that sort of thing. And people like this manager often dealt in that sort of agriculture.

Payne didn’t necessarily hold that against him. He himself had found more than one way to make a buck. But none of his methods had ever gotten anyone killed. OK, a few had. Maybe more than a few. But the point is, Payne would have a problem if this guy’s side business had gotten Fiona killed, if only because he was getting paid to find out who killed her.

“Won’t you sit down, Mr. Payne?” the manager said, gesturing to one of the other chairs at the table, which was currently but temporarily occupied. Everyone at the table but the manager got up and sauntered to the bar. “And let me get you a drink. I think we can do business.”

Payne pulled out a chair and tried to brush at least some of the dust off it. As he sat he said, “No thank you for the drink. What is your name, sir?”

“James Deacon,” the manager said.

“Mr. Deacon, what precisely did Fiona do for you?”

“She precisely waited tables,” Deacon said. “Nothing more, nothing less. She was a straight arrow, Payne, and that’s why I hired her. Yeah, I’ve got stuff going on out of the back room and off the books, and I don’t need hookers hustling customers or pushers selling drugs, and getting the attention of the authorities or the do-gooders. Fiona wasn’t messed up in anything illegal, at least not here, and I’ll do all I can to help you find out who killed her.”

He looked down at the table a moment, then back up. “I mean that, Payne. She was a good kid.”

Deacon had little to tell Payne that he didn’t already know. Fiona had arrived on the planet six months ago with her best friend, Kim Bridges. He wouldn’t give them a room because Kim, he said, “would stink up the place,” and Payne knew he’d have to look into that. It sounded unsavory, and he wondered how a straight arrow would get mixed up with someone like that.

But Deacon had hired Fiona on the spot – in fact, offered her the job when she came looking for a room, based on the references she brought. She’d been a good worker, and Deacon was planning to give her a raise. “OK, I admit,” he told Payne, “I lowballed her to start with, and I felt guilty.”

Then she didn’t show up to work one day. The  assistant manager who worked mornings reported it to Deacon, and Deacon contacted Kim, who said she’d left for work on time. She never got home either, Deacon said – Payne made a note to confirm all this with Kim – and later that day a ranch hand found her body. Payne knew this part too. She was in a wash a few miles outside town, stabbed once in the heart.

“No,” Deacon said when Payne asked if there was anyone who would want her dead. “Absolutely not.” He told him she had a smile and a charm that made even “no” and “don’t touch me or I’ll have you tossed out the door and beaten up” sound like compliments.

Deacon seemed to think that he needed to add, “Sometimes it feels like Fiona is still here.” Payne wondered if that perhaps meant he had feelings for her that were not reciprocated. Or maybe it was a guilty conscience. He took note to check on those later.

Deacon also gave him a photo database of people who worked with Fiona, and assured Payne that he would be able to talk with them, as he put it, “on my dime.” When Payne asked, he pointed out two of them – a tall skinny one and a bulky galoot – who might have some insights on Fiona.

For now, Payne sent Flynn back to the ship, then walked out the doors and made a right. He found the nearest alley, where he threw up. Twice. He hated space travel. No, that wasn’t right. He hated the way acceleration and deceleration made it feel like he was being stretched, mostly because when they stopped, it was as if he snapped back and his gut took the brunt of it.

Oh, and he hated the part in the middle, the part when he was alone in the ship with Flynn.

Other than that, space travel was a blast.

Like it so far? It’s available in paperback or for Kindle. Get your copy of The sort-of Murder of Fiona Galloway